A collection of twelve tercentenary papers by some of the leading authorities on Hogarth. The Sacrament of the Eucharist ; I.
Satire and the City: The Freedom of the Times pp.
In addition, the book contains five appendices: The Analysis of Beauty pp. The Atonement ; II. William Hogarth and the emergence of a visual culture in eighteenth-century England"; "Je-sais-quoi: Princeton University Press; London: Il romanzo inglese del Settecento Ashgate Publishing Ltd, December The author has also written a study on Geometrie del tempo: Artists at the Hustingsed.
The essays are thematically arranged according to three parts: Tate Gallery Publishing Ltd Includes a detailed examination of the parameters of blasphemy in eighteenth-century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period.
It also sees him as a humourist who brilliantly invented a means of reproducing wit for wider public consumption. Edizioni Culturali Internazionale Genova, Manchester University Press, The book reveals Hogarth as an English nationalist and as a figure who reinvented the very idea of what it is to be an artist.
The Ideals and Realities of Self-Improvement pp. An exploration of commentary on the print since its publication is followed by an analysis from a musical perspective. A Tale of Two Cities pp. Carving out a Career pp.
We meet an artist emblematic of his time but also ultimately innovative and long-sighted. It provides an account of the full range of his work - from aristocratic portraits, to satiric prints commenting on the darker side of contemporary society. Princeton University Press, The author, a specialist in seventeenth and eighteenth-century English popular music, has written a reference tool for art historians seeking music related information on Hogarth.
The author in desiring not to write a chronological life-story of Hogarth has chosen a series of thematic essays "each devoted to an aspect of the social and cultural history of the period".
Liberty and Libertinism pp. It shows that, whether Hogarth depicts a harlot; a wealthy patroness; a gouty earl; a dissolute rake; a black servant; an "effeminate parasite"; issues of class; gender ; and race, reverberate throughout his paintings and prints and deeply inform his unique innovation, the "modern moral subject".
There are also French and Spanish editions of this catalogue. Reveals the artist to have been remarkably aware of the important intellectual issues of his time, for instance, eighteenth-century philosophy and science.
Johns Hopkins University Press, November The Painter of Modern London pp. The Final Years pp.
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